Def Leppard’s Joe Elliott on feeling like a ‘fraud’ and the ‘insanity’ of Taylor Swift
Joe Elliott is sitting in a room at the Four Seasons in downtown Minneapolis, eight or nine hours before he’ll climb onstage with his band Def Leppard for a gig at the Minnesota Twins’ baseball stadium. “See it over there?” he asks on a Zoom call, tilting his laptop so that the camera takes in Target Field through a large window behind him. “Green Day was there on Saturday. And over here,” he adds, swinging the camera across downtown to U.S. Bank Stadium, “is where Metallica just did two nights. Crazy weekend here.” Twenty years ago, few would’ve predicted that Def Leppard would still be in that kind of mix. The British pop-metal outfit exploded with 1983’s 10-times-platinum “Pyromania” and its 12-times-platinum follow-up, 1987’s “Hysteria,” both of which the band polished to a high-tech gleam with its famously exacting producer, Mutt Lange. Inevitably, the group’s career cooled throughout the ’90s and early 2000s as peacocking hard rock gave way to grunge and pop-punk. But then things started heating up again for Def Leppard, which eventually got back into arenas and stadiums armed with enduring tunes