Review: The Tarell Alvin McCraney era begins at the Geffen with powerful ‘The Brothers Size’
Playwright and Oscar-winning screenwriter Tarell Alvin McCraney (“Moonlight”) was appointed artistic director of the Geffen Playhouse last year, but the McCraney era really began on Thursday night with the opening of a muscular revival of “The Brothers Size” at the Geffen Playhouse’s intimate Audrey Skirball Kenis Theater. The play, part of the acclaimed trilogy “The Brother/Sister Plays,” launched McCraney’s meteoric rise in the American theater. McCraney was still a student at the Yale School of Drama when “The Brothers Size” was first produced. When I saw the play at the Public Theater in 2009 as part of the trilogy, I was keenly aware of being in the presence of a breakthrough talent. What stood out about all three plays (including “In the Red and Brown Water” and “Marcus; or the Secret of Sweet”) was the freedom of the playwriting voice — the mix of lyricism and raw realism, the musicality blending joy and pain and the playful theatricality that trusted the imaginations of theatergoers and turned stage directions into spoken-word poetry. But none of this would have had the impact were it not for the